 |
OCTOBER 2012 - COMMERCIAL
Change a Life
Commercial, 2012
WRITER, DIRECTOR, EDITOR
|
| |
|
 |
AUGUST 2012 - ESSAY
Through the microscope glass: remimagining the affect of forgotton bodies.
An essay on the bioarts practice of Svenja Kratz.
Image: The Abscence of Alice, Svenja Kratz, 2008.
|
| |
|
 |
AUGUST 2012 - CRITICISM
Sarah was commissioned to write More than a shadowy imposter for Realtime.
|
| |
|
 |
MAY 2011 - LECTURE/ PERFORMANCE
Recasting Unfinished Selves premiered at Camillo 2.0 in Utrecht, the Netherlands
|
| |
|
 |
JANUARY 2011 - SCREENPLAY
Keys to Your Heart
Short film, 2011
WRITER, DIRECTOR
|
| |
|
 |
JULY 2009 - CRITICISM
Sarah wrote the catalogue essay for Judy Anderson's exhibition A Place Opens.
Image: Judy Anderson, A Place Opens
|
| |
|
 |
MAY 2009 - SCREENPLAY
Rebel Wesex
Short film, 2009
WRITER, DIRECTOR
|
|
|
 |
SEPTEMBER 2007 - HYPERMEDIA
Diorama: Constructing a Virtual Memory.
Online hypermedia in collaboration with Svenja Kratz.
This project was funded by a Write in Your Face grant from the Australia Council for the Arts.
|
|
|
 |
SEPTEMBER 2005 - FICTOCRITICISM
Sarah's ficto critical work exploring ideas about madness, image making and hallucination, was published in Text.
|
|
|
